Margret Wibmer

Margret Wibmer

Studio Margret Wibmer

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    • PHOTOGRAPHY
      • REPHRASE
      • RELAY
      • JAPAN SERIES
      • INFINITE PLAY
      • CHINA SERIES / RECONSTRUCTION
      • NO QUESTIONS ASKED
      • ANSICHT
      • BLACK SPACES
      • THE GIRL AND HER OBJECT
      • PERFORMANCE FOR NO AUDIENCE
      • THE BASEMENT
      • THRESHOLD
      • OCCUPATION
      • DREAMCATCHER
      • POSINGS
    • OBJECTS
      • RUBBER WORKS
      • AND SO WE CARRY ON
      • BREATHE – DREAMS MAY FOLLOW
      • LUCY
      • 5 P.M.
      • NATTO
      • A DAY IN JULY
      • OBJECTS OVER TIME
    • VIDEO
      • RELAY_VIDEO
      • ABSENCE OF THE TEA MASTER
      • MATERIAL ENCOUNTERS
    • PERFORMANCES
      • SALON D’AMOUR
      • TIME OUT
      • ENCOUNTERS WITH NATURE
      • THE HOLDING
      • OFF THE WALL
    • EXHIBITIONS
      • EVOCATIVE DISRUPTIONS
      • REPHRASE
      • LE VISIBLE ET L’INVISIBLE
      • FASHION & PERFORMANCE
      • TRANSFORMED OBJECTS
      • TIME OUT @ PALAIS DE TOKYO
      • RECENT WORKS
      • ANOTHER WORLD
      • UN DRESS
      • CELLA
      • AUSFLUG
      • 0,33 % OF A COLLECTION
      • INCONTRO
  • WORDS
    • A Decisive Moment. Marianna Maruyama
    • It’s something to see by Jing-Jing Lee
    • Indivisible Parts of a Totality. Marianna Maruyama
    • The Girl and her Object. Steven ten Thije
    • Relax your hips. Ludwig Seyfarth
    • Ready Maids*
    • The Holding by Ingeborg Erhart
    • 0,33 % of a collection
    • Zum Verhältnis von Blick, Bild-Schirmen und Kunst
    • Blick-Punkte zwischen Realität und Virtualität
    • Incontro
    • Foreign Bodies
    • So nahe (wieder nicht)
  • PUBLICATIONS
    • SALON D’AMOUR artist publication
    • RELAY ARTIST PUBLICATION
    • RELAY COLLECTOR’S EDITION
    • AMBIGUITY
    • PRESS
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Margret Wibmer’s interest revolves around interfaces between bodies, their surfaces and their interaction with the space, through glances and sound, and not least through cultural systems of symbols.

Reinhard Braun

The production of this website was made possible with generous funding by Land Tirol and Mondriaan Fund.

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