Margret Wibmer

Margret Wibmer

Studio Margret Wibmer

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    • A Decisive Moment. Marianna Maruyama
    • It’s something to see by Jing-Jing Lee
    • Indivisible Parts of a Totality. Marianna Maruyama
    • The Girl and her Object. Steven ten Thije
    • Relax your hips. Ludwig Seyfarth
    • Ready Maids*
    • The Holding by Ingeborg Erhart
    • 0,33 % of a collection
    • Zum Verhältnis von Blick, Bild-Schirmen und Kunst
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    • Interacting through art by Matthew Hawn
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margret wibmer back-up 2020

New sculpture: Back-up

17 February 2021

The lockdown in March, felt like I was given a gift of time. Working in that limbo, with many insecurities but also support from friends and funding organisations, I found intense concentration.

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Newsletter

Recent News

  • Participation 18th International Triennial of Textile at Central Museum of Textiles in Łódź
  • KÖRPER RAUM RAUM KÖRPER – Magazin Mayergasse, Vienna
  • The Show Everyone’s Talking About – Have You Seen It Yet?
  • Salon d’Amour posters developed for performance at The Merchant House Amsterdam
  • Margret Wibmer: Art-Props & Works | Concluding the Exhibition ‘Collecting I: Bridges’ at The Merchant House Amsterdam

MISCELLANEOUS

Margret Wibmer

Margret Wibmer’s performances, sculptures photographic works and video installations explore relations between bodies, objects and spaces. Using ambiguity and the principle of chance as a methodology to deconstruct internalized processes, norms and values deeply embedded within our societies, she creates transient ‘realities’ that explore new strategies for connecting us with the world and with others. This becomes particularly apparent in her participatory performances where she uses choreographic elements, sound and wearable props to engage the public as actors in her work.

Margret Wibmer’s interest revolves around interfaces between bodies, their surfaces and their interaction with the space, through glances and sound, and not least through cultural systems of symbols.

Reinhard Braun

The production of this website was made possible with generous funding by Land Tirol and Mondriaan Fund.

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